LA VILLE OUVERTE 2












The Maddalena neighborhood is a manifold part of the historical center of Genova, due to its diverse social composition, to the condition of its buildings, to the nature of its spaces. It's a neighborhood where the process of "gentrification" that has affected other parts of the historical city has not arrived yet, a melting pot of different nationalities and activities - legal and illegal - by many regarded as an area "to avoid". In fact, not only many souls coexist there, but it has also plenty of initiatives, active presences, a sense of belonging, a desire of care as well as of redemption.
The five-day of la Ville Ouverte II workshop were a way to approach these realities, being aware of the difficulty to fully understand equilibria and very delicate and complex situations in such a limited time.
A12 has proposed to the invited artists to follow a path that started from an urban exploration and a confrontation with the material nature of the neighborhood and the immaterial world of stories that span it. Asking to do a job arising, first of all, from their personal discovery of this part of town. Fokus Grupa and Christian Tripodina have observed, listened to and collected objects, stories and impressions, and this was the starting point of the art projects they have developed, dialoguing with A12. The proposed works are two personal interpretations of this part of the city and of its characters. They are the outcome of the interaction between the artists' biographies and approaches, the meetings and discussions made and what the place has conveyed in these days.
For Christian Tripodina, artist from Genoa, it has been necessary to look from a different point of view at an already known reality. The discovery of a postcard in the Maddalena's church, which gives its name to the neighborhood, with images reminiscent of will o' the wisps and the reference to a news item concerning an arson, have suggested a reflection on the double value - destructive and purifying - of the fire and the production of a video titled "Only death brought me on a hill" which shows a "silent night ceremony" in which a faint streak of fire has covered some streets in the neighborhood: "a restrained way to reclaim the awareness of the place itself through a simple gesture."
For Iva Kovac & Elvis Krstulovic (aka Fokus Grupa) the presence of children, observed while playing an afternoon in Piazza Cernaia, has inspired a project trough which to make explicit the dichotomy between the external image of Maddalena neighborhood as a "closed" and "dangerous" area, significantly different from the image that its inhabitants have. The two Croatian artists have involved local children, giving them instructions and guiding them to stage, in a playful and necessarily approximate way, the group choreographies for the celebration of an imaginary state. The video "La Maddalena. A Rehearsal for statesmanship," working on the boundary between stage fiction and educational workshop, explores the concepts of order and disorder, community and government, openness and insecurity.

La Ville Ouverte 2 

GIOTTO


Lunedì 18 giugno 2012 dalle 17.00 alle 20.00 Peep-Hole presenta in Piazza Oberdan a Milano Giotto, un gioco collettivo all’aperto, una performance ideata da Alessandro Ceresoli e A12.

Realizzato per la prima volta nel 2010 nelle strade di Città del Messico, Giotto prevede la partecipazione dei passanti a una gara di “disegno dettato”. I giocatori pescano a turno da un mazzo una carta sulla quale è riprodotto un disegno che devono descrivere agli altri giocatori. Questi ultimi disegnano ciò che viene loro descritto sulla strada, con gessetti bianchi o colorati. Quando tutti hanno finito, la carta viene svelata e viene votato il disegno che più si avvicina all'originale.

Piazza Oberdan diventerà il terreno di gioco temporaneo di Giotto, attivando l’attenzione e il coinvolgimento degli abitanti del quartiere dove Peep-Hole è attivo ormai da tre anni. Nel corso della serata, la piazza sarà progressivamente coperta dai disegni realizzati dai giocatori, andando a costituire un unico grande intervento artistico, ad un tempo collettivo ed effimero.

“Giotto è un gioco povero come quelli con cui si divertivano i nostri padri e i nostri nonni, è un gioco di strada come quelli che si facevano usando noccioli di frutta, sassi, tappi di bottiglia e molta fantasia, è un gioco di gruppo per indovinare disegnando e per interpretare con l'immaginazione. Giotto si gioca per strada usando dei gessetti e un mazzo di carte che chiunque può preparare anche da sé. Giotto aggrega le persone, diverte e attraverso i disegni fatti sui marciapiedi, nelle piazze o sulle strade, lascia una traccia che non inquina, destinata a sparire in pochi giorni.” (A. Ceresoli – A12).


peep-hole 
la geléria de comercio